How to Hang a Picture: A Framer's Step-by-Step Guide
A London framer's guide to hanging pictures the right way — correct height, the right fixings for any wall, heavy frames and renter-friendly no-nail options.
Hanging a picture looks simple, and most of the time it is — until the frame ends up too high, drifts crooked within a week, or the fixing tears out of the plaster and takes a chunk of wall with it. We hang framed work every day at our bench in Elephant & Castle, so this is the method we actually use: how high to hang, which fixing to reach for on your wall, and how to deal with heavy frames and rented flats where you can't touch the walls.
What you'll need
For a standard frame on a solid or plaster wall, you don't need much:
- Picture hooks — the single most useful fixing. Choose the pin rating by frame weight (more on that below).
- J-hooks for lightweight frames, and hardwall hooks when you're going into brick or masonry.
- Picture wire or picture cord strung across the back for anything medium or heavy.
- A spirit level (a phone level app is fine), a pencil, and a tape measure.
If you'd rather buy it as one kit, everything here lives in our picture hanging & fixings collection.
How high should a picture hang?
The most common mistake we see is hanging too high. The gallery standard is to put the centre of the picture at about 145–150cm (57–60 inches) from the floor — roughly average eye level. Galleries use this because it reads comfortably whether you're standing close or across the room.

Two adjustments worth knowing:
- Over furniture (a sofa, sideboard or bed), forget the floor measurement and work from the furniture instead: leave a gap of about 15–20cm between the top of the piece and the bottom of the frame so the two feel connected.
- In a hallway or up a staircase, people are usually moving and often closer to the wall — hang a touch lower than you think, at seated or walking eye level.
To find where the hook goes, measure from the top of the frame down to the taut hanging point (the top of the wire when you pull it up, or the D-ring), and subtract that from your target top-of-frame height. That distance is how far below the frame's top edge your hook sits.
Step by step: hanging a single frame
- Decide the centre height. Mark a light pencil line on the wall at 145–150cm (or your furniture-based height) for the centre of the picture.
- Measure the drop. Hold the wire taut toward the top of the frame and measure from the frame's top edge to the wire. Say it's 8cm.
- Mark the hook. From your centre mark, measure up to where the top of the frame will be (half the frame's height), then come back down by that 8cm drop. That's your hook position.
- Fix the hook. Tap in a picture hook (angled pin into plaster), or use a hardwall hook / wall plug for masonry.
- Hang and level. Rest the wire on the hook, then set a level on the top edge and nudge until true. A small blob of adhesive putty behind one bottom corner stops it drifting crooked over time.
Hanging a heavy or large frame
Anything large, glazed, or over roughly 5kg needs more than a single pin. The principle framers use is simple: spread the load across two points and hang from two hooks, not one.
- Fit D-rings or eyelets to the frame about a third of the way down from the top on each side, and run picture wire or heavier cord between them.
- For the most secure result, skip the wire and hang each D-ring on its own hook, spaced in from the edges. Two hooks share the weight, stop the frame tilting, and mean a single failure won't drop the piece.
- Match the hook to the weight: single-pin picture hooks take roughly 5kg, double-pin around 10kg, treble-pin 15kg+. Into masonry, use a hardwall hook or a proper wall plug and screw. If you can find a stud, screw straight into it.

One thing people miss: on a large glazed frame, the mount and backing do structural work too. A flimsy or acidic mount can bow and let the artwork slump against the glass. If you're framing something that matters, a conservation-grade acid-free mount — or a custom window mount cut to size — keeps everything flat and square inside the frame.
How to hang pictures without nails
If you're renting or hanging on a wall you don't want to mark, you have good options — within limits:
- Adhesive strips and hooks hold light frames well. The large hook-and-loop strips typically take up to about 3–3.5kg per set, so they're fine for a small print or an unglazed poster frame, not a heavy glazed piece. Press firmly, and let them bond for an hour before hanging.
- Picture rails — common in period London homes — are the renter's best friend. Hang hooks over the rail and drop cord or chain to the frame; you can rearrange a whole wall without a single hole.
- Freestanding — lean larger framed pieces on a shelf, mantel or the floor. It looks deliberate and does zero damage.
Be honest about weight: the single most common no-nail failure is trusting an adhesive strip with a frame that's too heavy for it. When in doubt, size down the frame or use the rail.
Choosing the right fixing for your wall
The wall matters as much as the frame:
- Plaster over brick (most older UK walls): a standard angled picture hook grips well and leaves only a pinhole.
- Plasterboard / stud walls: fine for light frames on a hook, but for anything heavier fix into the timber stud or use a proper plasterboard anchor — the board alone won't hold weight.
- Solid brick or masonry: use a hardwall hook, or drill and plug for heavier work.
- Picture rail: hooks over the rail, no wall fixing needed at all.
Arranging more than one: the gallery wall
Hanging a group is where most people lose their nerve. The trick professionals use is to plan on the floor first:
- Lay the frames out on the floor and shuffle them until the arrangement feels balanced — vary the sizes, but keep a consistent gap of about 5–8cm between frames so it reads as one composition.
- Cut paper templates the size of each frame, mark the hook position on each, and tape them to the wall with masking tape. Step back and adjust — this is the moment to get it right, before a single hole is made.
- Hang through the paper (fix the hook right on your marked point), then tear the template away.
Anchor the arrangement around one central or largest piece and build outward, keeping either a consistent centre line or a level top or bottom edge to hold it together. Mixing your own prints with readymade frames in a couple of repeating finishes is an easy way to make a wall feel collected rather than chaotic.

Common mistakes framers see
- Hanging too high. Aim for that 145–150cm centre line — it's almost always lower than instinct.
- One hook on a heavy frame. Two spaced points every time; it stays level and safe.
- Ignoring the mount. A cheap or acidic mount bows and can mark the artwork — worth getting right if the piece has any value.
- Hanging unglazed work in direct sun. Prints and photographs fade; glazing with UV protection, or simply choosing a wall out of direct light, makes a real difference.
- Trusting adhesive strips with too much weight. Check the rating and size down if unsure.
When to bring it to a framer
Most pieces you can hang confidently yourself. But if it's heavy, valuable, an awkward shape, or something you want to protect for the long term — an original, a textile, an object — it's worth having it framed and prepared properly. We offer bespoke and conservation framing at our Elephant & Castle workshop, and we're always happy to advise on hanging when you collect. If you're working out sizes before you buy or frame, our print, paper & frame sizes guide takes the guesswork out.
Frequently asked questions
How high should I hang a picture?
Put the centre of the picture at about 145–150cm (57–60 inches) from the floor — average eye level. Over furniture, leave a 15–20cm gap above the piece instead.
Can I hang a picture without damaging the wall?
Yes — use adhesive hook-and-loop strips for light frames (up to roughly 3kg), a picture rail with hooks and cord, or simply lean larger pieces on a shelf or mantel.
Should a heavy frame hang from one hook or two?
Two. Fix D-rings a third of the way down each side and hang from two spaced hooks. It shares the load, keeps the frame level, and is far safer than a single point.
What's the heaviest a Command-style adhesive strip will hold?
The large hook-and-loop strips typically hold up to about 3–3.5kg per set. That suits a small print or an unglazed frame — not a large glazed picture. For anything heavier, use a hook into plaster, masonry or a stud.